Jane Birkin Nude Scenes

Jane Birkin shares a nude scene alongside Gaia Bermani Amaral in this Xanadu clip, both women shown without clothing in footage credited to the title.

Jane Birkin's ass and tits appear in this scene from her early collaboration with Serge Gainsbourg, whose film built its notoriety on exactly this kind of frank physicality between the two leads. The clip captures the unguarded, naturalistic style that made the picture a talking point on release.

A single clip from Projection privee shows Jane Birkin's butt and boobs, a brief but clear entry from this lesser-known French title.

Two clips from this Gainsbourg-directed thriller cover Jane Birkin's booty and tits, plus a combined ass and tits scene that runs a bit longer. Together they give a fuller look at her screen presence in the film beyond a single shot.

Three separate clips capture Jane Birkin topless in Sept morts sur ordonnance, with the coverage focused squarely on her bared breasts across different cuts of the same footage. Together they give a fuller look at a single sequence than any one clip alone, tracking the scene from different angles and moments.

Three clips from this French comedy show Jane Birkin repeatedly baring her breasts, with her boobs and tits on display across separate scenes rather than one quick cut. The spread suggests the film returns to her topless more than once, giving fans multiple angles from the same production.

Tangling with David Hemmings' photographer in his chaotic studio session, Jane Birkin goes topless and bares her ass in footage that helped make Antonioni's Blowup a landmark for mainstream nudity in 1966. A second clip isolates her boobs from the same sequence.

Two clips from May Morning cover Jane Birkin topless, showing her bared breasts across separate cuts of what appears to be the same scene.

Two clips from La Femme de ma Vie focus on Jane Birkin's rear, with one framed as an ass scene and the other highlighting her booty from a different angle within the same sequence.

Jane Birkin appears both topless and bottomless across two clips from Serieux comme le plaisir, with her breasts and rear visible in cuts that isolate the ass and tits from the same scene. The pairing offers a more complete view of one extended sequence than either clip shows on its own.

In this Egon Schiele biopic about the Austrian painter's turbulent life, Jane Birkin appears topless in a clip drawn straight from the film's title, her tits on clear display.

The one clip pulled from La Fille prodigue shows Jane Birkin in a alluring turn, marked in the source as her sexy scene from the picture.

A single clip from Melancoly Baby shows Jane Birkin in a striking scene, credited under the title's raw listing as her sexy sequence from the film.

Two clips from Bruciati da cocente passione put Jane Birkin's body on full display, with one title calling out her tits directly and the other a bush scene that leaves little to the imagination. Together they mark this as one of her more explicit Italian productions on record.

The French-language cut Don Juan ou Si Don Juan etait une femme carries its own footage of Jane Birkin, catching her ass and tits in shots distinct from the Ms. Don Juan edit. The two releases circulate separately despite sharing the same production.

Jane Birkin goes topless in the sole clip pulled from La pirate, a tits scene that stands as the film's entry in her archive.

In La morte negli occhi del gatto, Jane Birkin appears topless in a single scene pulled from this Italian giallo, her only nude footage credited to the title.

Two clips from Ms. Don Juan show Jane Birkin topless and in a bush shot, brief nude footage lifted straight from the film's continental drama. Little dialogue frames either shot, just Birkin unclothed on camera.

In this drama, Jane Birkin is shown nude, with a scene exposing both her ass and her breasts in a single sustained shot.