Sophie Cookson Nude Scenes

As Anne Eriksson in Stockholm Bloodbath, Sophie Cookson gets a run of intimate footage across three clips. One pairs her with Emily Beecham, who plays Kristina Gyllenstierna, in a heated scene between the two women. The other two clips isolate a sex scene and a steamier follow up, both centered on Cookson's character amid the film's revenge plot.

Sophie Cookson plays Madame Marguerite Benham in The Confessions Of Frannie Langton, opposite Karla-Simone Spence's Frannie. Their scenes together form a recurring lesbian thread across the series. Five separate clips show the pair bare their breasts as the relationship deepens. Both tits and boobs appear in the scene titles, underlining how physical this dynamic becomes.

Sophie Cookson leads The Trial Of Christine Keeler as Christine Keeler herself, opposite James Norton's Stephen Ward. The run of clips covers two separate sex scenes tied to her entanglement with Ward's circle. Other clips isolate her body work directly, with her ass, tits, and boobs called out across the cuts. A further clip catches her in an underwear reveal, stripping down before things turn physical.

Sophie Cookson appears as Ona in Ashes In The Snow, seen topless in a single clip from the film.

Sophie Cookson plays Young Joan Elizabeth Stanley in Red Joan, opposite Tom Hughes as Leo Galich. The single clip catches her topless, baring her tits in a scene tied to their relationship.

As Sidney Pierce in Gypsy, Sophie Cookson shares a lesbian scene with Naomi Watts. The clip also includes an underwear scene as their characters' entanglement turns physical.

Sophie Cookson plays Nicole Rawlins, the journalist investigating a priest accused of murder during an exorcism. The clips from The Crucifixion cover a topless scene along with a fuller sex scene tied to her character's arc. One clip is even labeled as revealing that sex scene outright, suggesting a clear look at the footage.

Sophie Cookson appears in the music video for Alt-J's Pleader, built around a sex scene. It plays out as a short, wordless narrative set to the track.