Amaia Salamanca Nude Scenes

Amaia Salamanca turns up in a swimsuit scene in The Man From Rome, a brief poolside beat with no nudity but plenty of skin on display.

Carmen Castillo's 2019 drama La Embajada, set inside the French Embassy in Chile during the 1973 coup, gives Amaia Salamanca one catalogued clip showing her in a brief but revealing scene set against the film's account of asylum and upheaval.

Despite Everything supplies a single scene of Amaia Salamanca, catalogued here as the film's one clip of note, hinting at intimacy without confirming full nudity.

Amaia Salamanca shares a topless scene with Leticia Dolera in Get Her... If You Can, the two baring their tits together in one of the comedy's more revealing stretches.

As Sirena and her double identity Nadine in Perdida, Amaia Salamanca anchors two of the thriller's more revealing scenes, one built around a topless shot and another catching her in an underwear scene. Both play into the film's Patagonia-set mystery alongside Luisana Lopilato and Nicolás Furtado.

A wartime drama gives Amaia Salamanca a striking scene in Morocco Love In Times Of War, with the clip leaning on tension and atmosphere rather than exposition.

Playing in the erotic thriller Xp3d, Amaia Salamanca appears in an underwear scene that strips the film down to its most talked-about footage, with the lingerie framing doing most of the work.

Amaia Salamanca bares her ass and tits in a scene from Brain Drain, one of the more explicit clips in her catalog and a clear standout for anyone searching her name.

As Catalina in Sin Tetas No Hay Paraiso, Amaia Salamanca is caught in a bikini scene that slides into a topless shot, one of the clearer skin-baring clips from the telenovela's run.

Five separate clips from Sms, Sin Miedo a Sonar break down the same footage of Amaia Salamanca from every angle, cycling through her ass, tits, booty and butt in titles that isolate each body part for search. The repetition suggests one extended nude scene sliced into shorter cuts, giving fans multiple entry points to the same reveal of her breasts and backside.

A single clip from Los Hombres de Paco catches Amaia Salamanca in a scene that moves from underwear into full exposure, with her tits on display before the cut ends.

Amaia Salamanca's turn as Alicia Alarcón, the hotel owner's daughter at the center of the period mystery series Gran Hotel, gets a striking entry here with a scene leaning into her more glamorous side.

This adaptation gives Amaia Salamanca a topless scene, with the camera catching her tits in a moment that pushes past the film's otherwise restrained period setting.

The lone clip from La Musicalite shows Amaia Salamanca in a swimsuit, a bikini-clad scene with no further undress beyond that reveal.

A promotional spot rather than a scripted scene, this clip catches Amaia Salamanca in a swimsuit for the Tampax Pearl campaign.