Katja Riemann Nude Scenes

As Floriane Bohringer in Reset - Wie weit willst du gehen?, Katja Riemann appears topless and in underwear in one clip from the 2024 time-travel drama. The scene comes from a story built around Floriane's attempt to undo the past after her daughter's death.

Katja Riemann appears in a sex scene from Unsere Wunderbaren Jahre, set amid the reinvention of a post-war industrialist family.

Katja Riemann plays Gudrun in Enfant Terrible, the drama built around Rainer Werner Fassbinder's rise. The clip shows her topless in a scene opposite Oliver Masucci's Fassbinder.

As Kristin Dibelius in Goliath96, Katja Riemann plays a single mother reaching out to her withdrawn adult son. One clip is billed as a sex scene, another zeroes in on a booty shot. Nils Rovira-Muñoz co-stars as David, the son at the center of her worry.

Playing Evi Müller-Todt in Herrliche Zeiten, Katja Riemann gets substantial screen time in this slave-ad comedy. One clip catches her booty and tits in a candid shot around the house. Another delivers a full sex scene, and a third flaunts more of the same encounter. Oliver Masucci co-stars as her husband Claus, whose ironic personal ad sets the plot in motion.

Playing Maria in Forget About Nick, Katja Riemann shares a sex scene with Paula Riemann's Caroline. The two actresses appear together in this clip from the fashion world drama set in New York. It stands as the rare explicit pairing in Riemann's catalog credited to two named characters.

Katja Riemann plays Lilian Norgren, head of the Norgreen Life conglomerate, in Todliche Geheimnisse. The single listed clip is billed as a sex scene tied to her character's storyline.

As Gudrun Gerster in Fack Ju Gohte 2, Katja Riemann appears in a brief underwear scene during the Thailand school trip chaos.

Two clips from Ohne Dich catch Katja Riemann in her underwear, the same brief scene captured from different angles. Neither goes further than lingerie, fitting the drama's grounded tone around Martina's search for her missing partner.

As Jutta Seeland in Romeo und Jutta, Katja Riemann gets pulled into Jürgen Stoll's double life. Opposite Wolfgang Stumph's con man turned Stasi asset, she appears in multiple sex scenes across the film. The three clips catch different stretches of their entanglement, from seduction to fallout.

Katja Riemann plays Sabine Halm opposite Ulrich Tukur's Klaus and Ulrich Noethen's Helmut in Ein fliehendes Pferd. The lakeside drama follows two couples whose old friendship reopens old wounds and old rivalries. Four clips from the archive are all billed as sex scenes involving her character. The repeated billing points to a single extended sequence rather than separate encounters.

Katja Riemann plays Astrid, an elder of the werewolf pack at the center of Blood And Chocolate. A topless scene from the 2007 film shows her outside the usual chase and transformation sequences built around Agnes Bruckner's Vivian. It is a rare skin-baring credit for Riemann inside an English-language horror romance.

Katja Riemann plays Sybille Spatz in Das wahre Leben, sharing a sex scene with Ulrich Noethen's Roland.

Playing Carolin Winter in Ich bin die Andere, Katja Riemann shares scenes with August Diehl's Robert Fabry. The listed clips focus on a topless scene, described across variants as tits and bared breasts. Her character is a corporate lawyer entangled in a one-night stand turned business deal.

Signe Tschirner is played by Katja Riemann in Agnes and His Brothers, appearing in a sex scene opposite Herbert Knaup's Werner.

Katja Riemann plays Heide Achimsen, wife to Wolfgang Stumph's dual role in Der Job seines Lebens. The clip catches her in an underwear scene amid the film's mistaken-identity mayhem.

As radio host Monika Krauss in Stadtgesprach, Katja Riemann appears alongside Martina Gedeck's Sabine Kirsch. The clip is billed as a tits and underwear scene shared by both actresses.

Katja Riemann plays Frenzy, the comic-strip writer at the heart of Abgeschminkt!. She shares a sex scene with Gedeon Burkhard's Rene.

Katja Riemann appears in Das Beste aller Leben, a comedy about a family christening thrown into chaos. The scene has her baring her tits amid the gathering's mayhem.

A topless scene from Bandits gives Katja Riemann a brief scripted turn inside the 2001 crime spree film. The clip stays quick and unadorned, without dialogue context beyond the moment itself shown on screen.