Martina Gedeck Nude Scenes

A single clip from The Door catches Martina Gedeck topless in one scene, the sole entry archived from this German drama.

Playing Christa opposite Nastassja Kinski's Birgitt, Martina Gedeck shares a quiet, escalating lesbian scene set against the nighttime rooftops of Dark Satellites. The two women, neighbors drawn together over shared cigarettes and stolen glances, move from tension into an intimate encounter that the film treats with unhurried candor.

A single clip from Heart Hunting puts Martina Gedeck front and center in a topless scene, one of the more direct nude entries in her catalog here.

Martina Gedeck plays the dual role of Martha Ahnepol and Muriel in Arthurs Gesetz, and one clip has her flaunting her tits opposite Jan Josef Liefers as her scheming husband Arthur.

Playing Martha Ahnepol, also billed as Muriel, in Arthur's Law, Martina Gedeck turns up in a revealing scene from the black comedy, opposite Jan Josef Liefers as her scheming husband Arthur Ahnepol.

Gleissendes Gluck gathers five clips of Martina Gedeck undressed across the film's more intimate stretches, with one clip explicitly baring all and the others catching her at different points of the same sequence. The repeated coverage suggests a sustained scene rather than a single flash, giving fans several angles on the same undressing across the batch.

As Valerie in Am Hang, Martina Gedeck appears in an underwear scene set against the tense reunion between Henry Hübchen's Felix and Maximilian Simonischek's Thomas.

Halbe Hundert offers one clip pairing a topless shot with an underwear scene, giving Martina Gedeck a dual moment of exposure in this otherwise little-documented title.

Martina Gedeck goes topless as Ulrike Meinhof in this clip from The Baader Meinhof Complex, with brief nudity that catches the German radical stripped of the composure she carries through most of the film.

As radical journalist Ulrike Meinhof in Der Baader Meinhof Komplex, Martina Gedeck features in a revealing scene set during her character's descent into the Red Army Faction, alongside Moritz Bleibtreu's Andreas Baader.

Messy Christmas contributes one clip focused on Martina Gedeck's rear in a booty-centered scene, the only footage archived from the title.

Playing Christiane, the free-spirited mother of half-brothers Michael and Bruno in this 2006 adaptation of Houellebecq's Atomised, Martina Gedeck appears in a scene that leans into her character's uninhibited nature, set against a cast that includes Moritz Bleibtreu and Franka Potente.

A brief underwear scene from Mostly Martha catches Martina Gedeck in a private, unguarded beat away from the kitchen drama that otherwise defines the film.

Playing Katarina "Kati" Treichl, Martina Gedeck is shown in a swimsuit scene during the family's chaotic Mauritius trip in O Palmenbaum, with Gregor Bloéb as her groom-to-be Jonas Meixner.

A brief clip from Harald catches Martina Gedeck in a revealing scene, though the title itself gives little else away.

Playing Wanda Weißenfels opposite Götz George's Stefan Stolze in this 1995 miniseries, Martina Gedeck appears in a scene mixing brief toplessness with underwear, part of the show's portrait of Stolze's rise through Berlin's underworld and real estate scene.

Three clips from Hunger Auf Leben track a single scene of Martina Gedeck, catalogued from a few different angles as it circulated. The repeated cuts suggest a romantic or intimate exchange, though the raw titles give little beyond that a scene exists.

Martina Gedeck turns up in two clips from Mutter Und Sohne that focus squarely on her figure, with one clip framed around a lingering rear-view shot and the other built around a more general revealing moment. Together they give a compact look at her physical presence in the film beyond the dialogue scenes.

A swimsuit scene pairs with a topless clip from Our Mother Is Just Different, giving Martina Gedeck a rare lighter, exposed turn away from her usual dramatic roles.