Fernanda Urrejola

Fernanda Urrejola Nude Scenes

Birthplace: Chile

6 videos
Fernanda Urrejola is a Chilean actress known for dark comedies and thriller roles. Her archive includes nude scenes across several titles. Chipe Libre gave her a lesbian sex scene early in her screen work. El Diario Secreto De Una Profesional shows up repeatedly, with ass and butt shots plus another lesbian scene. That title is the one to open first for viewers wanting variety in one film. Karma adds a butt and tits scene to her catalog. Bring Me The Head Of The Machine Gun Woman is different, an underwear scene rather than a full strip down. Across six videos on site, the material moves between topless shots, bare backside scenes, and one genuine sex scene. Her work sits mostly in Chilean and Latin American productions rather than big studio franchises. The lesbian scenes make up a notable share of what fans search her name for. Six videos total make up her CelebMasta archive right now.

📖 Library

Karma (2026) Movie 1 video

Directed by Guillaume Canet

A single clip from Karma catches Fernanda Urrejola in a butt and tits scene, isolated footage without additional context attached.

El Diario Secreto De Una Profesional (2012) TV 3 videos

Playing Javiera García, the psychology student who moonlights as escort Ángela, Fernanda Urrejola is the focus of three clips from El Diario Secreto De Una Profesional built around the same lesbian encounter, cut and labeled separately for booty, ass and butt. The footage centers on the double life driving the film, with Nicolás Poblete's Benjamín González elsewhere in the credited cast.

Bring Me The Head Of The Machine Gun Woman (2012) Movie 1 video

Directed by Ernesto Díaz Espinoza

As the title mercenary in Bring Me The Head Of The Machine Gun Woman, Fernanda Urrejola gets one archived underwear scene, a brief glimpse of the character between the film's shootouts alongside Matías Oviedo's Santiago Fernández.

Chipe Libre Movie 1 video

The single clip archived from Chipe Libre is a sex scene, catching Fernanda Urrejola in one explicit stretch of the film with no further context supplied.

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