Arielle Dombasle Nude Scenes

Arielle Dombasle plays Appoline, the flamboyant ex-actress mother of Greg, in Alibi.com 2, and her one flagged clip leans into that character's theatrical charm alongside Philippe Lacheau and Nathalie Baye.

Playing Dolorès in Alien Crystal Palace, Arielle Dombasle gets pulled into the film's experimental sexual politics through a lesbian scene that also shows off her ass, part of a cast that includes Asia Argento and Michel Fau.

Dombasle turns up in one of the anthology's diary segments alongside the show's framing story starring David Duchovny as Jake Winters, appearing in scenes that bare her ass and boobs. The clips lean into the series' trademark erotic-confessional style, with Dombasle topless and undressed across the segment.

As Nathalie in Les Fruits De La Passion, Arielle Dombasle appears alongside Isabelle Illiers in a topless and bush scene set within the film's Chinese brothel world. The 1981 Klaus Kinski feature gives Dombasle an early, unguarded showcase opposite Illiers's O.

Arielle Dombasle's ass and breasts both get screen time in this X Femmes entry, with the clips cut specifically around her booty and a topless scene.

Arielle Dombasle turns up nude across several clips from Miroslava, with ass and tits on display in back to back scenes that make this one of her more explicit archived credits. The repetition across three separate cuts, each framing her body from a different angle, points to a substantial nude sequence rather than a single stray shot.

A single clip from Les Infortunes De La Beaute shows Dombasle bare-chested with her ass on display, a short but direct look at her work in the film.

Dombasle appears topless in this French drama, sharing scenes with Anaelle Maman and Julie Depardieu that put her bare chest on screen. The two clips capture a brief but explicit stretch of the film's more intimate footage.

Two clips from Gradiva (c'est Gradiva Qui Vous Appelle) show Arielle Dombasle topless, her breasts exposed in scenes drawn from Alain Robbe-Grillet's surreal art film.

In this 1951 archival short built around the idea of the Amazon woman, Dombasle's featured footage is brief, more suggestive than explicit, and tied to the film's dreamlike exploration of femininity.

Milady offers a single clip of Dombasle in a stylish, revealing scene, with no full nudity but a clear focus on her figure.

As Ba in Bo Ba Bu, Arielle Dombasle plays the stranded woman caught between two desert barbarians, and the film's central triangle is played out with a topless scene that underscores her character's vulnerability opposite Abdarashid Abdrakhmanov and Djavakhir Zakhirov.

A topless scene marks Arielle Dombasle's appearance in Paradise Calling, with little else to go on beyond that single clip.

Set in 18th century Mexico City, El Baile De San Juan casts Arielle Dombasle amid the household of the Marqués de la Villa, and her featured clip from the costume drama leans into a striking, revealing turn rather than the film's court intrigue.

Playing into the film's farcical title, Arielle Dombasle appears topless in a scene from The Boss' Wife, a compact clip pulled straight from the production.

As Barbara Lechat in Albert Est Mechant, Arielle Dombasle appears topless and in underwear opposite Christian Clavier's fortune-hunting Patrick, adding a dose of glamour to the family's scramble for the inheritance.

Arielle Dombasle bares her breasts in a topless scene from Les Deux Papas Et La Maman, a brief but clearly credited moment from the French comedy.